Two local photographers, Russell Tracy and Dave Yoakum contacted me to come out to meet and shoot with them sometime. That time came last Thursday night at Fallston High School. Russell and Dave are practicing their off-camera techniques and this would be a good opportunity to learn from each other.

The Fallston gym, like most in Harford County, has very little room, and no balcony at the end of court which prevents getting our lights high and pointed parallel to the sidelines. We had to place the lights on the sides, which create too much crosslighting and harsh shadows.

When using strobes/flashes, ideally you want to over power the ambient light by 3 to 4 stops so that when you are shooting at your camera’s sync speed (typically 1/250 sec), the quick burst of light from the strobes is what freezes the action and not the shutter speed. I tried bouncing my 580EXs off the back wall to create a large light source, but my flashes, even on full power, could only muster about 2 stops over ambient. In a darker lit gym, this method would probably work, but Fallston’s ambient lighting is better than average.

I had to stick with direct light from the corners of the gym. I placed my flashes on my 7-foot light stands and set them each to 1/8 power, 28mm zoom and aimed them towards the top of the key.

Here are some samples from the night.

// Read the rest of this entry »

The John Carroll Patriots wrestling team opened their home schedule against Boy’s Latin on Tuesday afternoon with a 56-18 win.

// Read the rest of this entry »

This is the continuation from Part 1 of the wrestling team poster project done using a green screen. In part one, I explained how I used a green screen to put together a team picture.

The next stage was to provide some sample background images to be selected for the final poster.  I submitted for review, ten different images, from pastures to buildings, for potential candidates for the final poster. Coach Watson and his staff settled on the stormy clouds version. In addition, he let me know that one of the original wrestlers has transferred to another school and would need to be removed. With the removal of that wrestler, I then rearranged the other guys to balance it out.

Coach Watson wondered if I could add a bolt of lighting to the sky. I played around with Photoshop after Googling for help inspiration and technique from others. I personally like the poster without the lightning, but the coaches loved it, and wanted it included.

The final step was to add the text, and get the final OK.  Once approved, it was time to send the final image to the lab to print the posters.

This was a fun learning experience, and would gladly accept another project that could utilize the green screen.

In fact, I am going to start utilizing this technique for doing T&I (team and individual). No more ugly bleachers or gym stages in the backgrounds. Another benefit is that there is no need for everyone to wait around for the entire team to show up — I’m sure the parents will appreciate that aspect.

-30-

If you are a sports photographer and frequently shoot high school night games of football, soccer, or lacrosse, you have probably experienced poor lighting.  Some of the newer fields have decent lighting, but a majority of the ones I visit are marginal at best.

Prior to Bel Air High School being remodeled, if I shot a game without flash on the old football field, I would usually come away disappointed with my results.  The light reading on that field was ISO 3200 f/2.8 1/250 on the best lit areas of the field. The team wears dark blue uniforms and shots from the endzone and sideline would be horrible, unless you shot at 1/60.

If you shoot at night with a flash sitting on-camera, you will end up with a majority of your subjects with red eye or ghost (white) eye.  Pupils are dilated and the light from your flash is so close to the lens axis that red eye is unavoidable in that situation.   To use flash without getting red eye, the flash needs to be distanced from the lens axis.  One way would be to put the flash up high above your camera.  Well, in doing that, you being nimble and having the ability to move up and down the sidelines quickly is probably hindered.  What I do is put my flash below my camera. This allows me to move up/down the sidelines pretty much the same way I would without flash. The flash below keeps the weight low to the ground and doesn’t affect my shooting ability.

// Read the rest of this entry »

To those that are regular readers of David Hobby’s Strobist website are intimately familiar with the motto, LESS GEAR, MORE BRAIN, BETTER LIGHT, however, that tagline has been recently replaced with LEARN TO LIGHT.   The enormous popularity of David’s website over the past two years has caused hundreds of thousands of photographers to take their on-camera flashes, off-camera and create awesome images using relatively inexpensive equipment.

With the knowledge he has given to the photographic community with regards to small flashes, David is now expanding his Strobist site to discuss the use of other lighting equipment — mainly studio strobes.

As David wrote in his post Birthdays, Heresies and Watt-Seconds:

I don’t care if they are using speedlights, Profotos or magnesium powder. Light is light. And we may as well be learning from the folks who are working at the highest levels.

Year three of Strobist should be filled with more interesting reading and learning.

-30-

Sunday I had the pleasure of shooting headshots for Valeria, a Bel Air teenager who will be attending acting camp this summer. She needed to have some 8×10 headshot prints so she gave me a call to set up an appointment.

The headshots were all taken at her home (where her mother makes some delicious lemonade) in the family room / living room area. The home had a beautiful wood floor, and it made a great background as I shot from high above.

I think Valeria had a great time — once she got over a bit of nervousness in the beginning — and I hope I was able to help her land a great role in the future.

Lighting Information:

Clamshell lighting with two 43″ umbrella’s and 580EXs.

Top umbrella – 1/8 power
Bottom umbrella – 1/32 power

Hairlight from snooted 285HV at 1/16 power

Monday afternoon I was contracted to photograph seven corporate principals and assistant principals for a local engineering firm. Companies use these type of images for their websites, annual reports, press releases, company publications, etc.

The headshots were taken on-location so not to interrupt their daily workload.

The setup for these photographs was an Alien Bee 800 with large softbox camera right, with a reflector camera left for fill. I also place a foamcore board on table in front of subjects to help fill in light under the chin. I used a blue paper backdrop with an Alien Bee 400 and 40-degree grid to create the background light.