Most people when they think of using flash, think of indoors in low-light. Well, outside in bright sunshine, flash can be your friend as well.

How many times have you been outside taking pictures only to find all your subjects faces dark and the background beautifully exposed? Sure, you could adjust your exposure to expose the faces better, but now you’ll have a background that is blown out. A better solution is fill-flash.

Below is an example of a shot I took without flash and another taken just a few seconds later using flash.

I set my camera exposure manually to the scene (bright sun on a deck at 3:00p in the afternoon). This turned out to be f/11; ISO 100 at 1/250s. Because I was going to use flash, I did not want to set my shutter speed any faster than my camera’s sync-speed of 1/250. Another alternative would be to set your camera to shutter priority (Tv in Canon) and set it to 1/250 of a second. I prefer manual settings, for I don’t want the the camera being fooled by the scene.

My daughter was in her pool where the sunlight was coming from camera right, casting a shadow across her face. The shot on the left looks like a snapshot taken by anyone with a P&S. Just by using my flash, and setting it in ETTL mode (Canon) with a Flash Exposure Correction (FEC) of -1 2/3, that same shot brings out much more detail in her face without that harsh flash look. The sun still overpowers the flash, creating it’s normal shadows. I may have even been better off using at FEC of -2 or even less (in negative territory here), but now, the picture has a much better look and feel to it.

Imagine if the sun was coming from behind her. That first image would really show a dark face, which would be completely in the shadow. So, next time you are out in the sun taking pictures of family and friends, don’t be afraid to experiment with a bit of fill flash.

Sunday I had the pleasure of shooting headshots for Valeria, a Bel Air teenager who will be attending acting camp this summer. She needed to have some 8×10 headshot prints so she gave me a call to set up an appointment.

The headshots were all taken at her home (where her mother makes some delicious lemonade) in the family room / living room area. The home had a beautiful wood floor, and it made a great background as I shot from high above.

I think Valeria had a great time — once she got over a bit of nervousness in the beginning — and I hope I was able to help her land a great role in the future.

Lighting Information:

Clamshell lighting with two 43″ umbrella’s and 580EXs.

Top umbrella – 1/8 power
Bottom umbrella – 1/32 power

Hairlight from snooted 285HV at 1/16 power

Happy Memorial Day to everyone. Today is a day to honor those who have fought and served our country and to grieve those who died while serving.

Memorial Day also signals the unofficial beginning of summer and what do kids want to do in the summer … SWIM! The weather in Bel Air today is fabulous — bright sunshine and 84 degrees.

While the kids were playing, I also was playing with my camera. I thought I try my hand at shooting with my right hand while holding a flash in my left. The downside to bright sunshine is the harsh shadows that accompany it. To bring out some definition in the shadows, a bit of fill flash does wonders.

The photo above — of my daughter Keely, the ham — used my technique of underexposing the camera 2/3 of a stop to cut down on the hot spots, and pop a bit of flash from the shadow side at 1/32 power.

The flash is not for inside use only. It can really come in handy outdoors as well. Give it a try, you may like the results.

Recently I’ve been shooting a lot of headshots, and am finding myself really enjoying this type of photography. Perhaps it has to do with those windows to the soul — the eyes. Getting these tight headshots gives the person viewing the photograph an excellent view into those windows.

I had been using many off-camera strobes for lighting the previous headshots I’ve taken in the past, which generally means I must stop down my lens into the f/8-f/11 range and thus increasing my depth of field. Which is perfectly fine for a portrait or corporate headshot. With this photo session, I decided to try something different , using the giant softbox that Mother Nature provided — gray cloud-filled skies — and a white foamcore board just below the subject to fill in the shadows. This allowed me to use my 135mm lens at f/2, with a sliver of DOF, and really concentrate on getting the eyes tack sharp to draw the viewer immediately to the eyes.

I’m going to use this technique much more in the future.

Monday afternoon I was contracted to photograph seven corporate principals and assistant principals for a local engineering firm. Companies use these type of images for their websites, annual reports, press releases, company publications, etc.

The headshots were taken on-location so not to interrupt their daily workload.

The setup for these photographs was an Alien Bee 800 with large softbox camera right, with a reflector camera left for fill. I also place a foamcore board on table in front of subjects to help fill in light under the chin. I used a blue paper backdrop with an Alien Bee 400 and 40-degree grid to create the background light.

On Monday, I am shooting corporate headshots for a client, so yesterday I was setting up a new lighting scheme from techniques I learned from the Lighting-Essentials workshop I attended last month.

I was resorting to setting a timer on my camera and then running over to the chair to capture myself in the frame to check my lighting. Luckily, after only a few laps from camera to chair and back, my son came home from work. He is on the grounds crew at Mountain Branch Golf Course in Joppa. Of course he was all sweaty and wanted a shower, but he was more than happy to sit in for a couple test shots.

There is something about this image I really like, and I thought I’d share.

This is taken with a large softbox to camera right and a white foamboard camera left. I had a second light with grid hitting the background from left to right. I normally would have the backlight directly behind the subject, but in this test setup I was limited on the amount of space between the subject and the backdrop.

As Forrest Gump’s momma used to say, “Life is like a box of chocolates, you never know what your gonna get.”, well the same goes with photography.

Yesterday I was out shooting a boy’s soccer game for the Baltimore Examiner. Before the start of the game I was shootin’ the breeze with Examiner sports writer Sean Welsh. I haven’t seen Sean in a while and we were catching up on what was going on with each other.

The girls at the scoring table noticed me with my camera and started shouting to take their pictures. I am surprised how often I get asked, when shooting sports for the media, to take pictures of people in the stands, sidelines, etc. I was about 50 feet away from the scorer’s table, but I did have my trusty 120-300mm lens and proceeded to snap a few images of the girls. In the back of my mind I’m thinking, “ok, these will go right into the rejected bin”, for as hard as it is to believe, the paper wants images from the actual game.

When I got home and began to go through my images to select the shots to submit, I was pleasantly surprised to see the image above. Other than the white scorer’s table in the background, this shot looks as though it was taken during a photo shoot.

Hmmm, maybe I should just have clients show up at football and soccer games and take their pictures during timeouts.

Oh, by the way, Fallston defeated Dulaney 3-2.